Archive
This archive is a curated selection of work from throughout my years of tattooing. Its purpose is to show the consistency of my work while also showing something equally important: no two pieces are the same.
Every tattoo is created for the individual wearing it. While the artwork comes from my hands, the tattoo ultimately belongs to the wearer. I respect that relationship, and I believe each piece deserves the space to become theirs rather than immediately becoming content.
For that reason, new work is intentionally held back before becoming part of the archive.
The work shown here is not a catalog of designs to choose from or recreate. It is a record of what I have created for other individuals and an example of the structure, composition, and intention I bring to my work.
What I create for you should belong to you.
2024-2025. Traditional Tongan tattoo. A Tongan composition with subtle black and gray elements woven into the traditional work
2024-2025. A feminine Samoan piece combining traditional malu patterns with contemporary influences, including mandala, henna, and touches of black and gray.
2024-2025. A custom composition connecting the shoulder, arm, and upper back through tribal-inspired structure, floral elements, and flowing ornamental linework.
2024–2025. Traditional Tongan composition focused on enhancing masculine presence through intentional placement, structure, and flow.
2024–2026. A Nordic and Celtic inspired composition, weaving elements from both traditions together to represent the wearer’s heritage and identity.
2024-2025, Ancestral Storytelling Through Black and Gray: large-scale composition bringing South Pacific stories to life through realism and layered imagery; cultural identity remains intact.